Five Kings: The Psychopathology of a Monarchy

Premiere 12. 4. 2024, Grand Stage Celje City Theatre

Running time 4 hours 20 minutes, with intermission.

Post-performance discussion with the artists.

Director Livija Pandur

Translators Primož Vitez, Tibor Hrs Pandur

Dramaturg Tibor Hrs Pandur

Set designer Marko Japelj

Costume designer Leo Kulaš

Composers Silence (Boris Benko, Primož Hladnik)

Movement consultant Sanja Nešković Peršin

Music director Živa Ploj Peršuh

Language consultant Živa Čebulj

Video designer Lina Rica

Lighting designer Vesna Kolarec

Assistant costume designer Lara Kulaš

Cast

Lovro Zafred, Lucija Harum, Aljoša Koltak, Lučka Počkaj, Luka Bokšan as guest, Borut Doljšak as guest, Žan Brelih Hatunić, Branko Završan, Barbara Medvešček, Eva Stražar

The performance, based on the octalogy of historical chronicles by William Shakespeare, which, questioning the legitimacy of power and political theology, cover the brutal period of English history – the great medieval crisis, the Hundred Years' War with France, its culmination in the civil war, i.e. Wars of the Roses, with the defeat of Richard III and the establishment of the Tudor dynasty, leading to the Elizabethan era. The medieval material and spiritual crisis are reflected in the psychopathology of five kings: Richard II (delusions of grandeur), Henry IV (paranoia), Henry V (nationalism), Henry VI (catatonia), and Richard III (genocide), who, as absolute rulers, inevitably suffer from a loss of humanity. The infernal machine repeats itself in the cycle of history, following the same pattern: a rise is followed by a fall. Amid their power struggle, in the pursuit of survival and social advancement, the protagonists of this mechanism search in vain for their own reflection in a broken mirror. The "great feudal mechanism of history" (J. Kott) examines how Shakespeare’s psychological models of ruler’s function today and how much of modern political practices are already mirrored in the stagnant courts of the bloody Henries and Richards.