Festival Team


Artistic director Aleš Novak
Producers Mojca Kolar, Nika Škof
Executive producer and Public relations Daša Šprinčnik
Visual identity designer Nenad Cizl, Trampolin d.o.o.
Festival publications editor Tjaša Bertoncelj
Production assistants Klara Šulek, Nina Slanič, Zala Reich
Project assistant Miha Marinč
Marketing and promotion Zala Koren, Alan Kavčič, Špela Lešnik, Jasmina Leskovar, Matjaž Partlič
Photographer Boštjan Lah
Technical managers Matic Gselman, Matic Kašnik
Competition Programme Selector of the 61th Festival Kaja Novosel
Expert Jury of the Competition Programme ...
Expert Jury for the Borštnik Ring Award ...
Artistic Board
Uroš Korenčan, Barbara Hieng Samobor, Nina Kirbiš, Mojca Jan Zoran, Vesna Jurca Tadel, Tomaž Toporišič

Competition Programme Selector
Kaja Novosel (1995) graduated in Dramaturgy and Performing Arts from the Academy of Theatre, Radio, Film and Television in 2018. For her diploma play accompanied by a dramaturgical explication, entitled My Fields, Full of Happiness, she received the Academy Prešeren Award.
During her studies, she focused primarily on playwriting. Her diploma text and the play Wishing It Would Pass were published in the journal ADEPT. Several of her works adapted for radio were produced by Radio Slovenia during this period, including the radio play Sour Lemons and Just a Little Ginger and an omnibus of four short radio plays (Karl, You Are Not There, Dreams, Wish).
In 2020, she received the Grossmann Award for the screenplay of the short fiction film For the Two of Us. She has served on several professional juries, and in 2023 she was the selector of the 32nd Days of Comedy Festival.
Since the 2021/22 season, she has been a regular contributor as a critic to the online platform Kritika. She also works as a regular freelance collaborator with the Drama Programme Editorial Office and the Culture Editorial Office of Radio Slovenia – ARS Programme.

About the Festival
The Maribor Theatre Festival is the main Slovenian theatre festival, which has been enriching the Slovenian theatre and cultural space for more than half a century. It takes place in the first half of June at the Slovenian National Theatre in Maribor. The programme includes a selection of performances by Slovenian institutional and non-governmental producers in a competitive and accompanying programme, invited theatre performances from abroad, training, workshops and audience development activities, student theatre and professional events in cooperation with Slovenian and foreign co-organisers. It usually lasts for 14 days and is attended by numerous national and international guests, including foreign festival selectors, artistic and programme directors, journalists and other interested and professional public. The festival is financed in comparable proportions by the Republic of Slovenia and the Municipality of Maribor and is independently managed by an artistic director.

Six Decades of Tradition
In over six decades of its existence, the festival has realised and surpassed the vision of its founders and has become the most important Slovenian theatre event, a promoter of Slovenian theatre creativity and an ambassador of Slovenian theatre in international relations and abroad. It is an important institution for the development of national theatrical expression, a rounded programme structure based on the presentation of current productions as well as on the reflection of relevant theatrical issues and the verification of current theatrical phenomena. It has also always been a central celebration of Slovenian theatre creators. The festival awards prizes for achievements in several fields of theatre creativity, the most prestigious of which is the Borštnik Ring, a prize for an outstanding acting opus.

Present the finest achievements of the Slovenian theatre season
The Festival's fundamental aim is to select and present the finest achievements of the Slovenian theatre season, to award theatre artists and their creative achievements, to promote and popularise theatre creativity among audiences of all ages, both at home and abroad, to encourage the quality and professional level of Slovenian theatre artistry, facilitate the flow of information and exchange of performances, present foreign theatre creativity and to promote the diversity as well as the coherence of theatrical space and expression.
History
Maribor Theatre Festival was introduced in 1966 at the initiative of the versatile theater artist Fran Žižek, then director of the Maribor Drama, and was initially named the Week of Slovenian Theaters in Maribor. The name Maribor Theatre Festival (Borštnikovo srečanje) was adopted in 1970, in honor of the first Slovenian professional actor and director, Ignacij Borštnik. Josip Vidmar, who was also the chairman of the festival committee in its first year, granted a prestigious place to the acting profession within the festival. That year, the Borštnik Ring was awarded for the first time, recognizing an actor's lifetime achievement. In the early 1970s, an expert jury began to present awards, during which time the festival developed its competitive nature. In 1994, Rudi Šeligo, as the president of the Borštnik Meeting Council, introduced a selector for the competitive program, and in 2005, during Tone Partljič's presidency, the first regulations governing the festival were adopted. Four years later, when artistic director Alja Predan took office, the festival was renamed the Borštnik Meeting Festival and began to open up to the international scene. Since 2018, the artistic direction of the festival has been led by Aleš Novak, who extended the festival's duration, strengthened its international character, and introduced several new program components, including a day for theater creators, training, an international student theater, and audience development. The core of the festival's program remains the selection of performances by Slovenian producers in both the competitive and accompanying programs.

