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Suchánek at the Kibla Gallery, where the first work initially reminds me of ant farms: a cross-section, an artificial layering of soil, with soundtracks assigned to its different layers, as if an ant with a microphone strapped to its back were rustling through a given stratum and we were listening to its recordings.",{"type":304,"children":310},[311,313,317],{"type":307,"value":312},"Then, if I allow my attention to arrive and soften my gaze, I begin to imagine that those particular layers are stacked upon one another in time, and I listen to how each layer is practically being formed, settling, accumulating, depositing, and so on. The person guiding me through the gallery says that he is more analog than this, and I find myself wondering what could possibly be more analog than this. 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I write “supposedly” because although the performance belongs partly to the documentary genre, we are still in a theatre, where everything is just as true as it is untrue.",{"type":304,"children":338},[339],{"type":307,"value":340},"In one of the rooms, for example, the artists make their own “tracking” public, and through a programming language every one of their digital activities, every digital gesture, becomes accessible, readable, and traceable. If these records were printed on paper—and they considered this as well—the pages filled with data would occupy a small room. 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Its language is deeply poetic, filled with moving personal stories connected to oil refineries, wealth, privilege, exploitation, class struggle, capitalism, and neoliberalism. We come into contact with places, sounds, money, snow, and oil; they make us itch. It is an enormous associative landscape. Perhaps I am already tired, but I find it difficult to follow at times, and there are sections that pass me by completely.",{"type":304,"children":368},[369],{"type":307,"value":370},"My own poetic interests have also turned in recent years toward posthuman and non-anthropocentric perspectives. In my poems I practice empathizing with elements and living beings that are exposed to the catastrophes produced by human senses of privilege. 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