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My first and most important goal was to get to know Slovenian culture, history, good Slovenian stories, to understand what these people had gone through, and how different generations relate to one another. And in my application I wrote that I was convinced that art and theatre were an appropriate medium for this. Now, after ten days, I find myself nodding in agreement with my former self, realizing how much I have learned, how many excellent psychological, social, spiritual, religious, political, and other questions are being asked here, and how many different ways there are to answer them—it is fascinating.",{"type":304,"children":310},[311,313,317],{"type":307,"value":312},"For example, last night's ",{"type":307,"marks":314,"value":316},[315],"emphasis","Article 55",{"type":307,"value":318}," was exactly what its genre description promised: a documentary celebration. Ever since I have been watching theatre—and really, even just during this festival—I have encountered documentary and devised productions of many kinds. Some that aim high, invest an immense amount of work into their ambitions, and carry them successfully. Others that seem to want only the label because perhaps it is fashionable (?), but are unwilling to put in the labour and discipline, instead decorating the stage with clichés, half-educated, half-informed, sensationalist elements. Those productions leave me with the feeling that they are more concerned with the audience's reaction than with the subject that originally motivated them. We make theatre for different reasons; God's zoo is a large one.",{"type":304,"children":320},[321,323,326],{"type":307,"value":322},"Tjaša Črnigoj's direction is the exact opposite of the latter. 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In Slovenia—and I am writing this especially for my friends reading from home—the Yugoslav constitution had guaranteed the right to free choice regarding childbirth since 1974. In 1991 this right had to be defended again and fought for anew in order to be included in the democratic Slovenian constitution. And thanks to them, it succeeded: Mojca Dobnikar, Vlasta Jalušič, Mateja Kožuh Novak, Sonja Lokar, Metka Mencin, Tanja Rener, Mirjana Ule, and Živa Vidmar.",{"type":304,"children":333},[334,336,339,341,344],{"type":307,"value":335},"As for the first performance, I have an abundance of notes. First of all, I accidentally glanced at the programme sheet and noticed the author's name. I first encountered Alessandro Baricco in high school, when my Hungarian literature teacher recommended his novella ",{"type":307,"marks":337,"value":338},[315],"Silk",{"type":307,"value":340},". 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